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【Tags Fight-P Nagome Rin tF J】 Original Music title 自由気ままなB級人生 English music title Freewheeling B Life Romaji music title Jiyuu Kimama na B Kyuu Jinsei Lyrics written by なごめ (Nagome) Music written by ファイトP (Fight-P) Music arranged by ファイトP (Fight-P) Singer(s) 鏡音リン (Kagamine Rin) Fanmade Promotional Video(s) Click here for the original Japanese Lyrics Romaji lyrics (transliterated by motokokusanagi2009): sora iro mizu iro usui ao yobi kata wa iro iro aru yone sonna no zenbu zenbu onaji desho tte jōdan tsūji nai hito danē tsuman nai joke mo hitsuyō sa ikite iku tame no junkatsu yu ame no naka hitori de odori dasu sekentei nante Capriccio yane no nai yōna ie ni sunde tsumetai ame o uke ireyō nemui nara nete tsukare tara yasumu jiyū kimama ni ikite ikō kuruma ga naku nattara hashire kōsoku dōro o tsuppashire kurushī nara naite tanoshī nara sawage jiyū kimama ni ikite ikō o kane koban hikari mono yobi kata nante nan demo ī hana de waratte miteru hito yori koronde warau hito no hō ga īyo danbōru bako sute neko ga iru tabete ita pan no kakera ageru ame no naka hitori de tatte iru onna no hito ni nakama ishiki yuka ga nai yōna ie ni sunde ue o mezashite ganbarō nayan dara wasure ukare tara shizume jiyū kimama ni ikite ikō ashi ga naku nattara tonde ōzora o kashi kitte kake nukero tsutaeru koe de sasaeru nara ude de jiyū kimama ni ikite ikō kuruma ga naku nattara hashire kōsoku dōro o tsuppashire kurushī nara naite tanoshī nara sawage jiyū kimama ni ikite ikō [Nagome, Fight-P, FightP, Faito-P, FaitoP]
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開催日:2011 / 04 / 04 参加人数:37名 フォーマット:Pauper(~MBS) Constructed Pauper Event #2229518 on 04/04/2011 in Daily Events 4-0:赤単ゴブリン/Goblin 4-0:赤単ゴブリン/Goblin 4-0:緑単ポスト/Green Post 3-1:黒白コントロール/BW Control 3-1:白単アグロ/White Aggro 3-1:青白黒ストーム/UWB Storm 3-1:赤単バーン/Burn 3-1:金属術親和/Metalcraft Affinity 3-1:青白赤ストーム/UWR Storm 3-1:金属術親和/Metalcraft Affinity 3-1:赤単バーン/Burn 3-1:黒単コントロール/Black Control 4-0 赤単ゴブリン/Goblin 使用者:CFCPUNKED Main Deck 16《山/Mountain》 1《ぐらつく峰/Teetering Peaks》 4《ゴブリンの奇襲隊/Goblin Bushwhacker》 4《ゴブリンの群勢/Goblin Cohort》 4《ゴブリンのそり乗り/Goblin Sledder》 1《威嚇者の信徒/Intimidator Initiate》 4《ジャッカルの使い魔/Jackal Familiar》 4《モグの徴集兵部隊/Mogg Conscripts》 3《モグの下働き/Mogg Flunkies》 4《モグの略奪者/Mogg Raider》 4《モグの戦争司令官/Mogg War Marshal》 3《火花鍛冶/Sparksmith》 4《Chain Lightning》 4《稲妻/Lightning Bolt》 Sideboard 3《死の火花/Death Spark》 3《鋭い痛み/Flaring Pain》 3《紅蓮破/Pyroblast》 3《地鳴りの揺るぎ/Seismic Shudder》 3《よろめきショック/Staggershock》 4-0 赤単ゴブリン/Goblin 使用者:magicdomain Main Deck 16《山/Mountain》 4《ゴブリンの付け火屋/Goblin Arsonist》 4《ゴブリンの奇襲隊/Goblin Bushwhacker》 4《ゴブリンの群勢/Goblin Cohort》 4《ゴブリンのそり乗り/Goblin Sledder》 4《ジャッカルの使い魔/Jackal Familiar》 4《モグの徴集兵部隊/Mogg Conscripts》 4《モグの下働き/Mogg Flunkies》 4《モグの略奪者/Mogg Raider》 4《モグの戦争司令官/Mogg War Marshal》 4《Chain Lightning》 4《稲妻/Lightning Bolt》 Sideboard 2《死の火花/Death Spark》 4《炎の斬りつけ/Flame Slash》 2《鋭い痛み/Flaring Pain》 2《ゴリラのシャーマン/Gorilla Shaman》 3《紅蓮破/Pyroblast》 2《倒壊/Raze》 4-0 緑単ポスト/Green Post 使用者:E. Hustle Main Deck 4《雲上の座/Cloudpost》 8《森/Forest》 4《微光地/Glimmerpost》 1《ハリマーの深み/Halimar Depths》 3《平穏な茂み/Tranquil Thicket》 3《伝承の樹/Tree of Tales》 4《オーロクスの獣群/Aurochs Herd》 1《ファングレンの匪賊/Fangren Marauder》 3《激情の共感者/Fierce Empath》 3《Fyndhorn Elves》 1《クローサの大牙獣/Krosan Tusker》 4《草茂る胸壁/Overgrown Battlement》 2《ウラモグの破壊者/Ulamog s Crusher》 4《根の壁/Wall of Roots》 3《輪作/Crop Rotation》 4《ムウォンヴーリーの酸苔/Mwonvuli Acid-Moss》 4《刈り取りと種まき/Reap and Sow》 4《Thermokarst》 Sideboard 2《ファングレンの匪賊/Fangren Marauder》 2《上機嫌の破壊/Gleeful Sabotage》 2《木化/Lignify》 2《暗影の蜘蛛/Penumbra Spider》 2《砂嵐/Sandstorm》 1《セジーリのステップ/Sejiri Steppe》 2《鋸刃の矢/Serrated Arrows》 2《枝細工下げの古老/Wickerbough Elder》 3-1 黒白コントロール/BW Control 使用者:thejacob Main Deck 1《やせた原野/Barren Moor》 3《進化する未開地/Evolving Wilds》 5《平地/Plains》 12《沼/Swamp》 4《広漠なる変幻地/Terramorphic Expanse》 3《髑髏の占い師/Augur of Skulls》 4《エイヴンの裂け目追い/Aven Riftwatcher》 3《騒がしいネズミ/Chittering Rats》 4《ギルドパクトの守護者/Guardian of the Guildpact》 3《リリアナの死霊/Liliana s Specter》 3《孤独な宣教師/Lone Missionary》 4《ファイレクシアの憤怒鬼/Phyrexian Rager》 3《破滅の刃/Doom Blade》 3《血の署名/Sign in Blood》 4《発掘/Unearth》 1《損ない/Unmake》 Sideboard 1《破滅の刃/Doom Blade》 2《強迫/Duress》 2《無残な収穫/Grim Harvest》 3《黒死病/Pestilence》 3《堕落の触手/Tendrils of Corruption》 2《損ない/Unmake》 2《精神ねじ切り/Wrench Mind》 3-1 白単アグロ/White Aggro 使用者:aaron breider Main Deck 20《平地/Plains》 4《バリーノックの群勢/Ballynock Cohort》 3《心優しきボディガード/Benevolent Bodyguard》 3《アイケイシアの投槍兵/Icatian Javelineers》 4《コーの空漁師/Kor Skyfisher》 4《孤独な宣教師/Lone Missionary》 4《Order of Leitbur》 4《剃刀のゴーレム/Razor Golem》 4《トロウケアの影/Shade of Trokair》 4《サルタリーの強兵/Soltari Trooper》 4《未達への旅/Journey to Nowhere》 2《忘却の輪/Oblivion Ring》 Sideboard 3《黒の防御円/Circle of Protection Black》 4《塵は塵に/Dust to Dust》 2《Holy Light》 3《虹色の断片/Prismatic Strands》 3《軍旗の旗手/Standard Bearer》 3-1 青白黒ストーム/UWB Storm 使用者:bourdibourdi Main Deck 3《アゾリウスの大法官庁/Azorius Chancery》 3《ディミーアの水路/Dimir Aqueduct》 3《進化する未開地/Evolving Wilds》 6《島/Island》 3《平地/Plains》 2《沼/Swamp》 2《広漠なる変幻地/Terramorphic Expanse》 4《フェアリーの大群/Cloud of Faeries》 1《記憶の壁/Mnemonic Wall》 3《熟考漂い/Mulldrifter》 4《夜景学院の使い魔/Nightscape Familiar》 2《海門の神官/Sea Gate Oracle》 4《陽景学院の使い魔/Sunscape Familiar》 4《強迫的な研究/Compulsive Research》 4《綿密な分析/Deep Analysis》 1《予感/Foresee》 4《大あわての捜索/Frantic Search》 4《断絶/Snap》 3《時間の亀裂/Temporal Fissure》 Sideboard 2《転覆/Capsize》 3《水流破/Hydroblast》 3《孤独な宣教師/Lone Missionary》 3《虹色の断片/Prismatic Strands》 4《ヴィダルケンの異国者/Vedalken Outlander》 3-1 赤単バーン/Burn 使用者:Dsaporito Main Deck 4《忘れられた洞窟/Forgotten Cave》 15《山/Mountain》 4《ケルドの匪賊/Keldon Marauders》 4《窯の悪鬼/Kiln Fiend》 4《Chain Lightning》 4《火炎破/Fireblast》 4《火葬/Incinerate》 4《溶岩の撃ち込み/Lava Spike》 4《稲妻/Lightning Bolt》 4《針落とし/Needle Drop》 4《裂け目の稲妻/Rift Bolt》 1《焼尽の猛火/Searing Blaze》 4《よろめきショック/Staggershock》 Sideboard 3《灰の殉教者/Martyr of Ashes》 4《溶鉄の雨/Molten Rain》 3《紅蓮破/Pyroblast》 2《焼尽の猛火/Searing Blaze》 3《粉々/Smash to Smithereens》 3-1 金属術親和/Metalcraft Affinity 使用者:jack7140 Main Deck 4《大焼炉/Great Furnace》 4《教議会の座席/Seat of the Synod》 4《伝承の樹/Tree of Tales》 4《囁きの大霊堂/Vault of Whispers》 4《エイトグ/Atog》 4《甲殻の鍛冶工/Carapace Forger》 4《大霊堂の信奉者/Disciple of the Vault》 4《金属ガエル/Frogmite》 4《マイアの処罰者/Myr Enforcer》 2《厳粛な空護り/Somber Hoverguard》 3《彩色の宝球/Chromatic Sphere》 4《彩色の星/Chromatic Star》 4《感電破/Galvanic Blast》 3《黄鉄の呪文爆弾/Pyrite Spellbomb》 4《バネ葉の太鼓/Springleaf Drum》 4《物読み/Thoughtcast》 Sideboard 4《古えの遺恨/Ancient Grudge》 1《水流破/Hydroblast》 4《危険なマイア/Perilous Myr》 2《紅蓮破/Pyroblast》 2《倒壊/Raze》 2《呪文貫き/Spell Pierce》 3-1 青白赤ストーム/UWR Storm 使用者:Avatre Main Deck 4《アゾリウスの大法官庁/Azorius Chancery》 3《進化する未開地/Evolving Wilds》 5《島/Island》 3《イゼットの煮沸場/Izzet Boilerworks》 1《山/Mountain》 2《平地/Plains》 4《広漠なる変幻地/Terramorphic Expanse》 4《フェアリーの大群/Cloud of Faeries》 1《記憶の壁/Mnemonic Wall》 3《熟考漂い/Mulldrifter》 2《猿人の指導霊/Simian Spirit Guide》 4《陽景学院の使い魔/Sunscape Familiar》 4《強迫的な研究/Compulsive Research》 4《綿密な分析/Deep Analysis》 2《巣穴からの総出/Empty the Warrens》 2《予感/Foresee》 4《大あわての捜索/Frantic Search》 2《ぶどう弾/Grapeshot》 4《断絶/Snap》 2《時間の亀裂/Temporal Fissure》 Sideboard 2《心優しき一角獣/Benevolent Unicorn》 1《転覆/Capsize》 3《水流破/Hydroblast》 4《孤独な宣教師/Lone Missionary》 2《否認/Negate》 2《虹色の断片/Prismatic Strands》 1《時間の亀裂/Temporal Fissure》 3-1 金属術親和/Metalcraft Affinity 使用者:PauloCabral_Br Main Deck 2《ダークスティールの城塞/Darksteel Citadel》 4《大焼炉/Great Furnace》 4《教議会の座席/Seat of the Synod》 4《伝承の樹/Tree of Tales》 4《囁きの大霊堂/Vault of Whispers》 4《エイトグ/Atog》 4《甲殻の鍛冶工/Carapace Forger》 4《大霊堂の信奉者/Disciple of the Vault》 3《金属ガエル/Frogmite》 4《マイアの処罰者/Myr Enforcer》 2《彩色の宝球/Chromatic Sphere》 4《彩色の星/Chromatic Star》 3《投げ飛ばし/Fling》 4《感電破/Galvanic Blast》 3《水蓮の花びら/Lotus Petal》 3《バネ葉の太鼓/Springleaf Drum》 4《物読み/Thoughtcast》 Sideboard 4《ゴリラのシャーマン/Gorilla Shaman》 3《水流破/Hydroblast》 4《クラーク族のシャーマン/Krark-Clan Shaman》 1《黄鉄の呪文爆弾/Pyrite Spellbomb》 3《紅蓮破/Pyroblast》 3-1 赤単バーン/Burn 使用者:_megafone_ Main Deck 4《忘れられた洞窟/Forgotten Cave》 15《山/Mountain》 4《ケルドの匪賊/Keldon Marauders》 4《窯の悪鬼/Kiln Fiend》 4《Chain Lightning》 4《火炎破/Fireblast》 4《火葬/Incinerate》 4《溶岩の撃ち込み/Lava Spike》 4《稲妻/Lightning Bolt》 4《針落とし/Needle Drop》 4《裂け目の稲妻/Rift Bolt》 1《焼尽の猛火/Searing Blaze》 4《よろめきショック/Staggershock》 Sideboard 3《灰の殉教者/Martyr of Ashes》 4《溶鉄の雨/Molten Rain》 3《紅蓮破/Pyroblast》 2《焼尽の猛火/Searing Blaze》 3《粉々/Smash to Smithereens》 3-1 黒単コントロール/Black Control 使用者:banan Main Deck 22《沼/Swamp》 4《騒がしいネズミ/Chittering Rats》 4《墓所のネズミ/Crypt Rats》 2《大牙の衆の忍び/Okiba-Gang Shinobi》 4《ファイレクシアの憤怒鬼/Phyrexian Rager》 4《貪欲なるネズミ/Ravenous Rats》 3《堕落/Corrupt》 2《見栄え損ない/Disfigure》 1《破滅の刃/Doom Blade》 2《強迫/Duress》 4《血の署名/Sign in Blood》 2《闇の旋動/Spinning Darkness》 4《発掘/Unearth》 2《精神ねじ切り/Wrench Mind》 Sideboard 2《汚れ/Befoul》 4《押し寄せる砂/Choking Sands》 2《破滅の刃/Doom Blade》 2《強迫/Duress》 1《闇の旋動/Spinning Darkness》 2《堕落の触手/Tendrils of Corruption》 2《精神ねじ切り/Wrench Mind》
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Market Overview Virtual dressing rooms are able to superimpose clothes on users and induce a purchase intent in customers. The technology has made use of augmented reality to help customers in their shopping experience and save time on decisions. The global Virtual Dressing Room Market Size report by Market Research Future (MRFR) has been conceptualized for clothing stores and malls looking to increase their sales over the forecast period (2020-2027). The COVID-19 pandemic has been included to predict growth and revenue trajectories. Market Scope The global Virtual Dressing Room Market Size is likely to display 15.21% CAGR over the forecast period. This is attributed to preference of shopping online and new customer experience journeys for retaining customers. Large number of online apparel stores and increased purchasing power of customers can influence the market growth. Benefit over traditional dressing rooms and use of augmented reality to purchase clothes to attract new generation of customers can propel the market size. Innovations such as mobile body measuring, AR, and try-on technology can disrupt the market positively. This is exemplified by rapid purchases of technological breakthroughs by large companies to expand their footprint in cosmetics and apparel. The technology can store customer preferences and customer measurements to display clothing and accessories of their liking. But lack of awareness of the product in developing countries can hamper market growth. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8294 COVID-19 Analysis The COVID-19 outbreak has prevented the opening of trial rooms for trying new dresses barring customers from shopping. This is evident with many retail stores and outlets facing huge returns on purchased products. Efforts to fix the fitting room dilemma has led to integration of virtual dressing rooms on their mobile applications. It has increased customer traffic and encouraged online shopping from the safety of their homes. Segmentation Solutions to Gain Precedence in Global Market Virtual dressing room solutions are likely to gain the largest share of the market owing to demand for tailored solutions catering to varying demographics. Large investments by fashion retail chains can bode well for the segment. E-commerce to be Fast Growing Segment for Global Market E-commerce is expected to gain speed owing to the convenience provided to customers through mobile applications and use of rapid delivery to meet customer expectations. Prominent and unknown brands are trying the online route to gain customers and stocking units in all sizes. Virtual try-ons can facilitate the demand from the segment. Regional Analysis North America to be Lucrative for Global Virtual Dressing Room Market North America is deemed to be revenue-worthy for the virtual dressing room market owing to presence of recognizable fashion stores and influence of social media to create peer pressure for looking good. Effective use of data to attain repeat customers and drive loyalty membership programs can bode well for the market. Competitive Analysis Fitle, Elpro Technologies, ELSE Corp srl, Fitnect Interactive, 3D-A-PORTER LTD., 3DLOOK Inc., Coitor IT Tech, REACTIVE REALITY GMBH, SIZEBAY, Dressformer, Fit Analytics, SenseMi, triMirror, Zugara, Inc., and True Fit Corporation are reputed players in the global market. Mergers, acquisitions, and continuous development of technology are major growth strategies of players. Industry News Walmart has acquired Zeekit, a startup in Israel, in an attempt to attract customers towards its site and virtually try on clothes to drive purchases. Access Report Details @ https //www.marketresearchfuture.com/reports/virtual-dressing-room-market-8294 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Trending Report** Application Management Services Market Open Source Intelligence (OSINT) Market https //www.scutify.com/articles/2022-04-25-b2b-telecommunication-market-research-focused-on-the-core-business-key-vendors-development- https //www.scutify.com/articles/2022-04-25-enterprise-file-synchronization-and-sharing-market-size-focused-on-the-core-business-key-vendors https //blogfreely.net/pranali004/social-media-security-market-companies-focused-on-the-core-business-global About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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【Tags Gumi Shokubaiphantomgirl tG tT K】 Original Music title 気になるあいつは怪獣少年 English music title The Guy on My Mind Is A Monster Boy Romaji music title Ki ni Naru Aitsu wa Kaijuu Shounen Music Lyrics written, Voice edited by 触媒ファントムガール(Shokubaiphantomgirl) Music arranged by 触媒ファントムガール(Shokubaiphantomgirl) Singer(s) Gumi (Megpoid) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): My crush, the animal caretaker, was an exchange student and latchkey kid; The rumor my classmates fixated on was that he walked home all alone All assembled under the summer sky, we said our last goodbye of July, And, wanting to talk with him some, I followed him on his way home Past his house, along the river, through a grove of trees... Buying ice cream at the candy store - just where are you going? On a vacant lot on a hill, overlooking the town, Having followed my crush, I witnessed his secret The popsicle thrown into the air, it was devoured by a giant maw; The boy I had a crush on... was raising a monster! As summer vacation was starting, he called out with resolve "Keep this a super, duper, forever secret?" We agreed and pinky-promised... Running over fields, swimming in the river - it was you, me, and the monster I talked endlessly with you, backed by an unforgettable sunset sky... Eating melted ice cream and laughing over it with a snort, That summer-suited crush made my heart flutter... We held each other s hands, and got close, but just then! The boy I had a crush on... was eaten by his monster! ...Come to think of it, today s the last day of summer vacation. I heard your voice. And the monster laughed. Laughing with your voice, it stuck its hand out to me. "Hey, wait! Is it really you?" "Yes! It s really me!" You and I joined hands, ready for our first day of second term. It resounded through the school, all kinds of crying and shouting; The school was all for us now, and my heart began to pound... Just as we arrived on campus, the sports meet began; On the sound of the pistol, on your mark, get set, and run! In this obstacle course, let s shoot for first place; As we eat our ice cream, where shall we go next? The popsicle thrown into the air, it was devoured by a giant maw. The boy I m crushing on... is a monster boy! Romaji lyrics (transliterated by vgboy / vgperson): Ikimono-kakari no ki ni naru aitsu kagikko shataku no tenkousei Kurasumeito no ki ni naru uwasa hitori-bocchi kaerimichi Natsu sora no shita, zenkou shuukai shichi-gatsu saigo no sayonara Sukoshi o-shaberi shite mitakute ato o otta kaerimichi Shataku koete, kawa ni sotte zoukibabayashi toorinukete Dagashiya de aisu katte kimi wa doko ni iku no kana? Machi o mioroshita oka no ue no akichi Ki ni naru aitsu no himitsu o mite shimatta Chuu ni nageta aisu ni kuitsuita ooki na kuchi Ki ni naru aitsu wa kaijuu o katteita! Orikaeshi no natsu-yasumi omoikitte koe kakete "Naisho no naisho no naisho da yo?" tte, koyubi tsunaida yakusoku Harappa kakete kawa oyoide kimi to watashi to kaijuu Wasurarenai yuuyake sora kimi to o-shaberi dekita Tokedashita aisu o hanasaki ni tsukete warau Natsu-meku aitsu ni dokidoki tokimeita Te o tsugou toshite yorisotta, sono toki Ki ni naru aitsu o kaijuu ga tabechatta! ...Souieba kyou wa, natsu-yasumi saigo no hi da. Kimi no koe ga suru kaijuu ga waratteru Kimi no koe de warainagara watashi ni te o sashinobete kita no "Nee nee, kimi nano?" "Sou da yo! Boku da yo!" Kimi to watashi, te o tsunaide ni-gakki saisho no toukou hi Gakkou-juu ni hibikiwataru nakigoe to sakebigoe Futari dake no kousha ni natte dokidoki tokimeite Koutei ni deta totan ni hajimatta undoukai Pisutoru narihibiku yooi don de kakedashita! Shougaibutsu reesu o ittoushou de gooru shite Aisu o tabenagara futari de doko ni ikou? Chuu ni nageta aisu ni kuitsuita ooki na kuchi Ki ni naru aitsu wa kaijuu shounen da! [Shokubaifantomugaaru, Shokubai Phantom Girl]
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Market Scenario According to Market Research Future (MRFR), the global Technical Illustration Software Market is expected to reach USD 3.89 billion with a CAGR of 4.6% from 2019 to 2025 (forecast period). The report provides a precise evaluation of the global situation, the economic situation, and the COVID-19 analysis of the overall industry. Technical illustration software provides technical drawings as well as scientific and medical illustrations of products. The software provides a range of features that illustrators need to design technology products. The software helps to create both 2D and 3D designs. It enables the creation of detailed technical illustrations with absolute accuracy and control, from project creation and authoring to the publishing of technical documentation. The software is commonly used in the technical drawing of medical equipment and the manufacturing of machines. All unnecessary specifics are omitted with technical illustration software. The product is to a great extent utilized in specialized drawings of clinical hardware and the assembling of machines. With specialized delineation programming, all pointless detail is overlooked. Moreover, the product offers creative liberty to utilize different expressive gadgets to help the motivation behind the outline. The changing enterprising environment of different verticals and the thriving diversion verticals drives specialized Illustration Software. Specialized delineation programming makes it simple for artists to plan innovation items within a specified time span. The key limitation is the accessibility of free apparatuses on the lookout. Notwithstanding, these free instruments don t have exhaustive highlights and capacities that are expected by artists to plan complex, specialized items. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/9555 Competitive Outlook Notable players in the global technical illustration software market are Adobe Systems (US), Lattice Technology (Japan), Autodesk (US), Illustration Limited (UK), QuadriSpace (US), SAP SE (Germany), PTC (US), Dassault Systems (France), Corel (Canada), The Technical Drawing Company (US), MAA Illustrations (India), Cyient (India), Canvas GFX (US), Ignite Technologies, Inc. (US) and Nbg Drafting Design (US). Segmentation The Global Technical Illustration Software Market has been sectioned in view of Component, Organization Size, End User, and Region. In view of Component, the specialized outline programming market has been portioned into arrangement and administration. The help fragment is additionally bifurcated into proficient administrations and overseen administrations. Proficient administrations incorporate mixed administrations, backing and support administrations as well as preparing administrations. Overseen administrations are specialized planning administrations presented by outsider suppliers. The arrangement portion represented the biggest offer in the general market in 2018. endeavors are sending such answers for accomplishing specialized plan accuracy. In view of Organization Size, Technical Illustration Software Market has been divided into little and medium, undertaking an enormous venture. The little and medium undertaking section is relied upon to enlist the higher CAGR during the conjecture time frame, 2019-2025 In view of End Users, the specialized outline programming market has been portioned into IT and media transmission, medical care, aviation and protection, energy and utility, car and others. The aviation and guard section is relied upon to enlist the most noteworthy CAGR during the figure time frame. Regional Analysis Geologically, the Global Technical Illustration Software Market has been portioned into Asia-Pacific, North America, Europe, the Middle East and Africa, and South America. North America drives the market as far as a piece of the pie in the worldwide specialized outline programming market. A portion of the elements that are answerable for the development of the market incorporate the ceaseless interest for thorough specialized representation programming arrangements by undertakings working in medical care, assembling, and aviation and guard verticals. The presence of a few programming suppliers in the market is one more component that altogether added to the development of the market in North America in the year 2018. North America has been portioned into the US, Canada, and Mexico. As per MRFR examination, the US is relied upon to acquire the most noteworthy portion of the overall industry, trailed by Canada and Mexico. Industry News In May 2019, Canvas GFX teamed up with Spatial, a subsidiary of Dassault Systems. The partnership has helped the company streamline the process of converting CAD files from top CAD software providers to illustrations and visualizations for service documentation. In May 2019, Cyient teamed up with OneStrand, Inc. to provide interactive technical publication solutions. With this collaboration, Cyient delivers technical data to global customers in the aerospace, defense, and transport industries in a range of formats based on customer needs, whether print or electronic. Clients also leverage new services throughout the product life cycle and can better manage engineering technical data from initial creation to archiving. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/technical-illustration-software-market-9555 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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【Tags Bitawan-P F Luka Meiko Shigotoshite-P tT】 Original Music title 双色 English music title Twin Colors Romaji music title Futairo Music Lyrics written, Voice edited by hinayukki / 仕事してP(Shigotoshite-P) Music arranged by hinayukki / 仕事してP(Shigotoshite-P) Singer(s) Meiko edited by hinayukki / 仕事してP(Shigotoshite-P), 巡音ルカ (Luka Megurine) edited by ビタワンP(Bitawan-P) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain): A cold cradle that was watched and brought up by thousands of stars It sways beat of lives The water surface reflects the inorganic world that was created You were lured by the lambent hazy light and set off I (You) are melodies that link I sing (Listen to) my colour A Song of black and a song of white are melt and mix together The tone the white draws answers to the melody your hands play If beats of the two are together, the singing voices will ring together Your hands that are too far away to reach As I’m dying to touch it, I shake my vision Ah… There’s no way to know the meanings of the opened words As time goes by, I flow and keep on drawing my colour over and over I (You) play words I sing (Listen to it) my colour I hope my colour will ring in your heart The melody the hand drew is a chromatic picture that cannot be described metaphorically Are there any places for the colourless two colours ? The tone the black draws answers to the melody your hands play If beat of the two are together, the singing voices will ring together The melody you drew and the twin colours that ever last I let my voice go together To make it reach your hands someday Romaji lyrics (transliterated by blacksaingrain): Ikusen no hoshi-boshi ni mimamorare hagukumareta inochi no kodou wo yurasu tsumetai yurikago Tsukurareta mukishitsu no sekai wo utsusu minamo Yurameki kasumu hikari ni somo mi izanaware tabi datsu Watashi (Anata) tsunagaru senritsu Utau (Kiite) watashi no iro Tokete yuku mazari au shiro to kuro no uta Sono te ga kanaderu senritsu ni kotaeru shoro no egaku neiro Futatsu no kodou tomo ni areba utagoe hibikiau Tooku tooku todokanai sono te ni furetakute furetakute Shikai wo yurashi te Aa Hirakareta koto no ha no imi wo shiru sube wa naku Kizamareru mama nagarete watashi wa iro wo kasaneyuku Watashi (Anata) kanaderu koto no ha Utau (Kiite) watashi no iro Kono iro ga sono kokoro ni hibiki masu yooni Sono te ga egaita senritsu wa tatoe you no nai shikisaiga Irodori naki futatsu no koe ni ibasho wa ari masu ka Sono te ga tsumuida senritsu ni kotaeru kuro no egaku neiro Futatsu no kodou tomo ni areba utagoe hibikiai Sono te ga egaita senritsu to kakeru koto nado nai futairo Kono utagoe kasanariawase itsuka sono te ni todoku you [hinayukki, Shigotoshite-P, ShigotoshiteP, Bitawan-P, BitawanP]
https://w.atwiki.jp/vocaloidenglishlyric/pages/715.html
【Tags Len N mayuko tS tT】 Original Music title 7番目の僕 English music title The Seventh Me Romaji music title Nana Ban Me no Boku / Nana-banme no Boku Music Lyrics written, Voice edited by mayuko Music arranged by mayuko Singer(s) 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): The first me Simply didn t know anything, Continuing to shout, knowing he liked to sing Ah, the world is so monochrome, isn t it? So I will sing, To give it color The second me Knew the price, Continuing to sing as he feared consequence Ah, the world is so mismatched, isn t it? So I will sing, To tie it together The third me Struggled in a daze, Believing in what he could grasp, and withered his voice Ah, the world is so annoying, isn t it? So I will sing, To tell where I am "Understanding," "study," Does goodness relate at all to them? If they do, I must repeatedly kill myself (myself), it would seem The fourth me Kept both his arms down, Crying that giving up was not the end Ah, the world is so colorful, isn t it? So I will sing, To augment the color The fifth me Recognized his end, And refused to consider the other side of things Ah, the world is so rubbish, isn t it? So I will sing, To release the chains The sixth me Surrendered his body, And brushing his wounded throat, kept his mouth shut Ah, the world is so silent, isn t it? So I will sing, From the heart alone Should the loss of color Be called adulthood, How many more times must I kill myself, I wonder? And once vanished, where do we go? And so born was The seventh me An innocent, timid, bold, Blind, bashful, mute me Isn t it such a pathetic thing? Leaving to you, only just born, Blessings, hopes, discouragements If "understanding," if "study" Continue to take color... If they do, I ll endlessly be born (born) and vanishing, it would seem The seventh me killed me. Romaji lyrics (transliterated by vgboy / vgperson): Ichi-banme no boku Tada nanimo shirazu Utau koto ga suki mama ni sakebu tsudzuketa Sekai wa konna ni mo monokuro janai ka Boku wa utaimashou Iro o tsukeru tame ni Ni-banme no boku Daishou o shitte Sono uragawa ni obienagara utaitsudzuketa Sekai wa konna ni mo chiguhagu janai ka Boku wa utaimashou Tsunagitomeru tame ni San-banme no boku Muchuu de agaite Tsukami toreru mono o shinjite koe o karashita Sekai wa konna ni mo urusai janai ka Boku wa utaimashou Ibasho o tsugeru tame ni "Rikai suru" "manabu" koto ga Izure mi o musubu dato shite Sore nara Boku wa kurikaeshi boku o korosu darou Yon-banme no boku Ryouude o sagete Akirameru koto ga owari dewa nai to sakebu Sekai wa konna ni mo karafuru janai ka Boku wa utaimashou Iro o fuyasu tame ni Go-banme no boku Oshimai o shitte Sono uragawa o kangaeru koto o kyohi suru Sekai wa konna ni mo garakuta janai ka Boku wa utaimashou Kusari hodoku tame ni Roku-banme no boku Mou mi o yudanete Kasurete itamu noda o nadete guchi o tozashita Sekai wa konna ni mo seijaku janai ka Boku wa utaimashou Kokoro no naka dake de Iro o ushinau koto ga Seichou dato iu naraba Mou nandomo jibun o koroshita no darou? Kieta bokura wa doko e yukou? Soshite umareta no wa Nana-banme no boku Mujaki de okubyou daitan Moumoku uchiki de mukuchi na boku Nantomo kokkei na sugata janai ka Umareta bakari no kimi e Shukufuku o kibou o rakutan o "Rikai suru" "manabu" koto de Iro o ushinai tsudzukeru nara Sore nara Boku wa nandomo de mo umare kieru darou Nana-banme no boku, boku o koroshita. []
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Fuelling conflict Foreign arms supplies to Israel/Gaza -index Misuse of conventional arms by Israeli forces イスラエル軍による通常兵器の濫用 Flechettes フレシェット弾 Flechettes フレシェット弾映像 画像 アムネスティ報告 リンク 映像 http //www.woopie.jp/video/watch/56cd4ddfe5d06b96?src=onair page=1 画像 http //livewire.amnesty.org/2009/01/27/a-bloodstained-wall-full-of-flechettes/#more-866 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 A flechette embedded in a wall in a Bedouin villlage in Gaza © Amnesty International http //www.guardian.co.uk/graphic/0,,2274464,00.html (引用者注) 弾底部にあるというこの図の "Fuse" の位置には、Guardian 紙の誤解があるらしい。なおM546という弾種は榴弾砲用の弾薬かも。⇒参照 http //www.palestine-info.co.uk/en/default.aspx?xyz=U6Qq7k%2bcOd87MDI46m9rUxJEpMO%2bi1s7qPllSJ%2f1icCo4vxAW1yXVU1D%2fS4vag9Vr2S9qp%2bICnBipaWMlFbUhKn%2b60lLh0yut7rX%2fm0syYeg04ciHfIbU9%2bF1pI92XQ7u02dsl%2f4aHg%3d imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //www.thenausea.com/elements/Israel/israel-doc1.html imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 A flechette removed from a Bedouin man at a Gaza clinic after an alleged Israeli firing incident near Betlaha on 14 May (Source ABC News) imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 The M494 APERS-T round disperses about 5,000 small flechettes (left) and is fired from the 105mm gun of main battle tanks such as the Israel Defence Force s upgraded M60s, seen here on the West Bank (Source PA) imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 (引用者注) 弾底部にあるというこの図の "Fuse" の位置には、誤解があるらしい。また、フレシェット弾の装填数についても確認の要。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 22 LR in the photo is only for size "guesstimating". These flechettes are hardened steel, black phosphate finished, and as can be seen in the photo are just slightly over 1" long. There are about 1000 per pound. They were removed from 106mm anti-personnel rounds, but work out just fine in 12 gauge loads. Fig. 20-1. Sharp flechettes designed for antipersonnel purposes can be used with either chemical or biological agents. The agent can be applied to the flechette’s exterior grooves, or the flechette can be drilled and filled with either a liquid or a dry agent. These types of weapons would not be permissible under the Biological Weapons Convention; however, an adversary of the United States might ignore such restrictions, as has occurred in the past. Reprinted from van Keuren RT. Chemical and Biological Warfare, An Investigative Guide. Washington, DC Office of Enforcement, Strategic Investigations Division, US Customs Service; 1990 87. imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 アムネスティ報告 Amnesty International AI Index MDE 15/012/2009 23 February 2009 Fuelling conflict Foreign arms supplies to Israel/Gaza p11 Flechettes Flechettes are not specifically prohibited under international humanitarian law.However, their use in densely-populated civilian areas in Gaza contributed to unlawful killings of and injuries to civilians. Flechettes are 4cm long metal darts that are sharply pointed at the front, with four fins at the rear. Between 5,000 and 8,000 of these darts are packed into 120mm shells which are generally fired from tanks. The shells explode in the air and scatter the flechettes in a conical pattern over an area about 300m long and 100m wide.[7] Flechette rounds are designed to be used against massed infantry attacks or squads of troops in the open and obviously pose a very high risk to civilians when fired in densely-populated civilian residential areas, as deployed by Israeli forces in the Gaza Strip. フレシェット弾は国際人道法の下で明示的には禁止されていません。しかしながら、ガザの人口密度が高い住宅地域でのそれらの使用は民間人への不法な殺害と負傷の原因となりました。フレシェット弾は4個のフィンが後部にある状態で前部が鋭く尖っている長さ4cmの金属ダーツです。 通常は、5,000~8,000個のダーツが、戦車から撃たれる120mmの砲弾に詰め込まれます。 砲弾は空中爆発を起こして、長さ約300m、幅100mの領域の上の円錐のパターンに、フレシェット弾を点在させます[7]。フレシェット弾砲撃は、戸外でひと固まりになっている歩兵の攻撃隊や分隊に対して使用されよう設計されていますが、イスラエル軍がガザ地区に発揮したように人口密度が高い民間住宅地域に撃たれますと、明らかに民間人への非常に高い危険を引き起こします。 Amnesty International investigated several deaths and injuries of civilians in Gaza caused by flechettes in January.[8] In one case, on 4 January 2009, an ambulance arrived about 15 minutes after a missile strike in Beit Lahiya that apparently targeted five unarmed young men. The ambulance was hit a few minutes later by a tank shell filled with flechettes. Two paramedics were seriously wounded in the incident and one of them, Arafa Hani Abd-al-Dayem, later died. アムネスティ・インタナショナルは、1月にフレシェット弾によって引き起こされたガザでの民間人の数個の死と負傷を調査しました[8]。2009年1月4日の事件は、武装してない5人を明らかに狙ったBeit Lahiya でのミサイル攻撃の約15分後に、救急車は到着しました。 救急車はその数分後に、フレシェット弾で満たされた戦車の砲弾によって撃たれました。その事件では2人の医療補助員が重傷を負い、そのうちの一人 Arafa Hani Abd-al-Dayem は、その後に亡くなりました。 The following morning, Israeli forces fired several flechette shells into the main road near the Abd al-Dayem family home in Izbet Beit Hanoun, to the south-west of the town of Beit Hanoun. Two people, a child and a woman, were killed and several others were injured. Sixteen-year-old Islam Jaber Abd-al-Dayem was struck in the neck by a flechette. He was taken to the hospital s intensive care unit but died three days later. Mizar, his brother, was injured in the same attack and still has a flechette lodged in his back. Nearby, 21-year-old Wafa’ Abu Jarad, who was pregnant, her two-year-old son, her husband, and her father and brother-in-law were all injured by flechettes in the courtyard of their home. Wafa’ Abu Jarad died of her injuries two days later. 次の朝イスラエル軍は、 Izbet Beit Hanounの町の南西にあるAbd al-Dayemzbet一家の近くのメインロードに数個のフレシェット入り砲弾を撃ちました。 2人(子供と女性)は殺され、そして他の数人が負傷しました。 16歳のIslam Jaber Abd-al-Dayem は首にフレシェット弾を打たれました。 彼は病院の集中治療室に運ばれましたが、3日後に死にました。 Mizar(彼の兄弟)は同じ攻撃で傷つけられて、彼の背中には今もフレシェット弾がまだ残っています。 近くでは、21歳の Wafa’ Abu Jarad, 妊婦ですが、彼女の2歳の息子、彼女の夫、父親、および義理の兄弟は、全て家の中庭でフレシェット弾によって傷つけられました。 Wafa’ Abu Jarad は負傷が原因で2日後に死にました。 Amnesty International has previously documented Israeli forces’ use of flechette rounds in Gaza resulting in the killing of children.[9] The manner in which shells containing flechettes were used by Israeli forces in Gaza fired in densely populated civilian areas - violates the international law prohibition on indiscriminate attack. Prior to their use during the recent military offensive, the last known incident when flechettes were used in Gaza was on 16 April 2008, when Israeli soldiers fired a flechette tank shell at Reuters journalist Fadel Shana, while he was filming the tank, killing him and three other unarmed civilians, including two children.[10] アムネスティ・インタナショナルは以前にも、イスラエル軍のガザへのFlechett弾砲撃が、子供たちの殺害を引き起こしたことを報告しました[9]。イスラエルによるフレシェット弾を含む砲弾の使用で、住宅密集地区を砲撃されたガザは制圧されました-無差別の攻撃により国際法禁止違反です。今回の軍事攻撃以前では、直近の事件として知られているのは、2008年4月16日にガザでフレシェット弾が使われた事件です。イスラエル軍が戦車から撃ったFlechett弾が、ロイターのジャーナリストFadel Shanaにあたりました。その時彼は戦車を撮影してたのですが、Shanaは殺され他の3人の非武装の市民も殺されました。そのうちの2人は子供です。[10] In 2001, Jane’s defense publication quoted an Israeli military source, who stated "The Israeli military obtained these weapons from the USA after the 1973 war and we have thousands of old shells in warehouses…The weapon is not regarded as reliable or effective and gunners have a difficult time in aiming this properly."[11] 2001年、ジェーン防衛年鑑はイスラエルの軍事筋ソースを引用して記しました 「1973年の戦争以後、イスラエル軍は米国からこれらの兵器を入手し、私たちは倉庫に何千個もの古い砲弾を持っています。この兵器は信頼できるとも有効であるとも見なされていません。砲手たちは適切に照準を定めるために苦労の時を費やします。」[11] 7 “How Flechettes Work”, The Guardian http //www.guardian.co.uk/graphic/0,,2274464,00.html 8 See New Release, ‘Israeli army used flechettes against Gaza civilians’, Amnesty International, 27 January 2009 and the blog, ‘A bloodstained wall of flechettes’, Amnesty International, 26 January 2009, http //livewire.amnesty.org/2009/01/27/a-bloodstained-wall-full-of-flechettes/#more-866 9 See ‘Israel and the Occupied Territories and the Palestinian Authority Killing the future Children in the line of fire’, Amnesty International, (Index MDE 02/005/2002). 10 http //www.amnesty.org/en/news-and-updates/news/armys-so-called-inquiry-cameramans-killinggaza- scandal-20080815 11 http //www.janes.com/defence/land_forces/news/jdw/jdw010522_2_n.shtml Amnesty International AI Index MDE 15/012/2009 リンク Tank shell that sprays deadly darts killed cameraman in Gaza, say docto http //www.independent.co.uk/news/world/middle-east/controversial-darts-from-tank-shell-killed-cameraman-in-gaza-say-doctors-811250.html Amnesty calls for investigation into killing of cameraman and other civilians http //www.palestine-info.co.uk/en/default.aspx?xyz=U6Qq7k%2bcOd87MDI46m9rUxJEpMO%2bi1s7qPllSJ%2f1icCo4vxAW1yXVU1D%2fS4vag9Vr2S9qp%2bICnBipaWMlFbUhKn%2b60lLh0yut7rX%2fm0syYeg04ciHfIbU9%2bF1pI92XQ7u02dsl%2f4aHg%3d フレシェット弾:flechettes 「フレシェット弾 知っていますか 」 http //iitaizou.at.webry.info/200607/article_34.html http //www.thenausea.com/elements/Israel/israel-doc1.html http //www2.odn.ne.jp/midi/text32.html 次へ Misuse of conventional arms by Israeli forces イスラエル軍による通常兵器の濫用 Fuelling conflict Foreign arms supplies to Israel/Gaza -index トップページ